Although he wants to improve it, he is too late to escape from the consequences. Ultimately, he prepares himself both physically and mentally to accept his defeat and destruction. Othello may be interpreted on the basis of this theory. He feels jealous for Othello and Cassio professionally and suspects his wife Emilia has illegal relationship with them. The combination of this professional and sexual jealousy leads Iago to ruin the life of the poor characters.
He provokes Othello against his wife Desdemona and makes him to suspect on her chastity. He convinces him that Cassio and Desdemona have an affair: On the other hand, Iago continuously persuades his rage: It is not words that shake me thus! Hence, he denies both moral and legal law guided but the evil force and neglects the good force in Desdemona. But when he comes to know about the truth and realizes his folly. It is too late to do anything.
He has to pay the life of his wife as a price of his wrong action and violation of law. Ultimately, he stabs himself repenting on his blender folly. In this way, law negates Othello as a result of its negation by him. The indispensible element of both tragedy and comedy is collision. As soon as Othello is awakened that he is guilty, his life turns out to be a sort of self-destruction. Thus, even if, in Othello, we see credulity and obstinacy approaching what Hegel describes as a stoic consciousness in the Phenomenology of Spirit, Othello might nonetheless have lived happily with Desdemona.
It is the contingency of Iago coming into his life and hating him so much that causes the problem. But it is not bad luck what makes tragedy. For Elizabethan consciousness, what happened to Othello concerns one or all of the following: References to Fortune and to the position of the stars or the Divine occur throughout the play and characters after plead with or rail against these forces.
It is the reuniting of the subject with nature. Iago, as Edmund in King Lear, was not capable of such sacrifice. Thus despite being able to not be who he appears to be, Iago is caught up in the dramatic action. For someone to negate the negation, he or she has to have a clear understanding of his or her dramatic identity, and to be able to step in and out of it at will, as necessity dictates. Othello gets himself really twisted up about Desdemona when he brings up the meaning of the handkerchief he gave to her and which he believes she has given away to Cassio.
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Thesis Statement / Essay Topic #1: The Introduction of the Character Othello Structurally speaking, one of the more important elements of the beginning section of Shakespeare’s Othello, is the fact that the reader is not able to meet him until Scene 2.
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